Shop Categories
- All Light Meters
- Subwoofer Cables
- Networking
- Multipurpose
- NZ Series
- SLR Cameras
- Dye Sublimation
- Quick-Release Systems
- For the One With Everything
- Telescopes
- Antennas
- Special Features
- Lens Adapters & Converters
- Cables & Interconnects
- Nickel Metal Hydride
- Mobile Athlon64
- Notebooks
- Tape Media
- Film Cameras
- DVD Holders
- Digital Frames
- DVD Players
- Speaker Boxes
- Other Telescope Accessories
- Cases & Screen Protectors
- Cleaning & Repair Kits
- Data Cartridges
- FRS Two-Way Radios
- Rapid-Focusing Levers
- Digital Cameras
- Some of our other sites:
- Books
- Clothing, Shoes and Accessories
- Baby Clothes and Accessories
- Cosmetics, Beauty Products and Fragrances
- Cellphones, Call Plans and Accessories
- Video Games
- DVDs
- Electronics, Gadgets and Computers
- Health and Personal Care
- Home and Garden
- Home DIY
- Jewelry
- Magazines and Newspapers
- Music Downloads
- Musical Instruments
- Office Equipment and Supplies
- Software and Games
- Sporting Goods
- Toys and Games
- Watches
- UK Books
- UK Video Games
- UK Home and Garden
- UK Electronics, Gadgets and Computers
- UK Baby Clothes and Accessories
- UK Software and Games
- UK Sporting Goods
- UK Toys and Games
-
-
Tiffen
-
Tiffen
-
Schneider
When you need to balance the light in one part of a scene with another, the use of a graduated neutral density filter is essential. Graduated neutral density filters are gray toned in one half of the filter and are smoothly graduated into the clear portion. B&W Graduated Neutral Density filters are available in 2 grades; #501 Light (approx. 1 stop density) and #502 Dark (approx. 2 stops density -
Tiffen
-
Tiffen
-
Tiffen
-
Tiffen
Often you want to balance light intensity between two areas within a scene. This is important outdoors to allow more sky details while properly exposing the foreground. Exposing for the foreground will produce a washed-out, over-exposed sky, exposing for the sky will leave the foreground dark, underexposed.Color-Grad Neutral Density filters are part clear, part neutral density, with a smoothly graded transition between. A Color-Grad ND.6-to-clear is often best for balancing sky to foreground. Neutral gray appearance drop exposure. -
Hoya
One half of this filter is NDx4 Neutral Density and the other half is clear, with a soft boundary between the two. It is used to control bright/dark contrast, by reducing half the shot by 2 stops. Particularly useful in landscape photography, the rotating mount allows bright skies to be easily controlled for dramatic effect. -
Hoya
Tired of washed out skies? This filter may be for you. One half of this filter is NDX4 Neutral Density and the other half is clear, with a soft boundary between the two. It is used to control bright/dark contrast, by reducing half of the shot by 2 stops. This filter is particularly useful in landscape photography. The rotating mount allows bright skies to be easily controlled for dramatic effect. -
Tiffen
-
Heliopan
2X graduated neutral density filter reduces the light 1 stop -
Cokin
-
Tiffen
-
Tiffen
Transform an average sunrise or sunset into something spectacular or convert a dull, washed-out sky to a breathtaking blue. No other filter has done as much to improve landscape photography as the graduated filter. Add color selectively while leaving the rest of scene unaffected.Half color, half clear with a graduated density transition for smooth blending into the scene, Tiffen Color-Grad filter are available in a rainbow array of colors and Neutral Densities. Use in combination, with one affecting the upper half of the image, the other affecting the lower half. -
Tiffen
-
Tiffen
-
Hoya
Filters are similar to half-color, except that color density gradually decreases near the center of the filter allowing emphasis of foregrounds or backgrounds. Mounted in a rotating frame, 7 colors are available: Pink, Yellow, Emerald, Tobacco, Blue, Mauve, Gray. Their color gradually fades out so the boundary between the colored and transparent sections will not become apparent even with the lens aperture stopped down. -
Hoya
Acrylic filters similar to half-color, except that color density gradually decreases near the center of the filter allowing emphasis of foregrounds or backgrounds. Mounted in a rotating frame.Their color gradually fades out so the boundary between the colored and transparent sections will not become apparent even with the lens aperture stopped down. -
B+W Schneider Optics
The neutral gray half of this filter transmits 50% of the incoming light, so that it darkens the respective portion of the subject by one f-stop without altering its colors. For example, when the sky is too bright in relation to the landscape, this is an ideal amount for good detail rendition in the clouds and for preventing the sky from being washed out by over-exposure. -
Tiffen










